(installation at The Lab, 2948 16th Street, SF, CA July 2-July 12, 2003)





A WAKE FOR WAR

video, still photographs, live music july 2003
Mark Brecke, Annice Jacoby, Lori B




videos

DMZ: A PEACEWORK

9min50sec

Fort Point Project, San Francisco 2000
          Chip Lord, Starr Sutherland, Annice Jacoby, Mark Brecke,
          Sara Foust, R.J. Fleck, and Riccardo Morrison

Both individuals and nations struggle to find alternatives to war. In May of 1999, a global conference for peace was held in den Haag, Netherlands, the first in 100 years. The Fort Point Project staged a three hour live performance, DMZ: A PEACEWORK, as the opening event. At dawn, across from the International War Crimes Tribunal, San Francisco artists created a temporary De-Militarized Zone and orchestrated a multimedia performance that greeted political figures, religious leaders, and peace activists from around the world as they arrived at the conference.

The Fort Point Project was founded to engage communities in active dialogue about the meaning and manifestation of peace. The project was named to acknowledge the bitter irony that the fortresses we’ve built can no longer protect us from the treacheries we ourselves have created. The video displayed here is art rather than documentary, composed of video from the live performance, newsreel footage, and live footage shot in Kosovo by Mark Brecke during the peace conference.

Fort Point Project is a collaboration of composers, media artists, choreographers, poets and citizens of international communities who grapple with war. Annice Jacoby, as artistic director, shaped and integrated the efforts of Lori B, Mark Brecke, Bruce Curtis, R.J. Fleck, Sara Foust, Julie Heffernan, Daniel Kobialka, Chip Lord, Riccardo Morrison and Simone Nelson. Contributing artists, in den Haag, included Pauline de Groot, Abby Lumesden, Nell and Jan Pronk, Eric Staller, Tamiko Thiel, Bread and Puppet Theater and singers, dancers and musicians from all over the world. Poetry Flash, Interfaith Center of New York, and the United Nations provided sponsorship for this project.


WAR AS A SECOND LANGUAGE

26min

super 8mm film and 35 mm b/w photographs
Mark Brecke

War as a Second Language combines original Super 8mm footage and 35mm stills with an audio track pieced together from archival documentary footage of the Vietnam War. Mark Brecke culled from 15 years of news reels, documentaries, and raw footage of the Vietnam War to create an audio track of actual sounds which he then juxtaposed with moving and still images he shot recently in Vietnam and Cambodia. Tourists replace soldiers and the audio design becomes a haunting and evocative narrative about history and the legacies of war. Although the piece looks period, only the audio is archival - all visual images are contemporary



still photos

Mark Brecke

1. Orphan Brothers, Kigali, Rwanda, 1997
2. Witness to War, Saddam Hospital, An Nasiriyah, Iraq, April 2003
3. Remains of the Genocide, Natarama Church, Kigali, Rwanda 1997
4. Ramallah Refugee Camp, Palestine Spring 2002
5. Kosovar Albanian Immolation, Mitrovica, Kosovo 1999
6. Serbian Civilians Leaving Their Homes, Gnjilane, Kosovo 1999

Mark Brecke has just returned from a trip to Iraq, Laos, Ghana, Rumania, and India sponsored by “Letters to America.” In Iraq, Mark was “embedded” with a French journalist from Le Monde. This was the fourth war Mark has photographed.



live music

MY COUNTRY

Lori B

Part poet, part snake charmer, part vitamin, Lori B’s work offers radical intimacy as an antidote for our culture’s obsession with technology and objects. The song MY COUNTRY emerged out of sadness and confusion following Desert Storm but wasn’t recorded until May of 2001. After September 11th, the song began to provide a powerful and poignant emotional rallying point (heard on KPFA and Democracy Now!). More at: www.loriB.net



now

SAVING GRACE: A Ritual For Our Times

www.savinggrace2003.org

SAVING GRACE began in the wake of 9/11 as a citizens' campaign to encourage reflection and dialogue at Thanksgiving gatherings around America. In that climate of fear, hostility, revenge and retaliation, we felt it essential to acknowledge our commonality and to build a link between private ceremony and public policy.

In 2001 and 2002, a coalition of artists, educators, spiritual and community leaders and organizations formed a coalition called Saving Grace to promote the idea that a renewed sense of ritual at Thanksgiving might become a focus for peace activism. We offered a simple set of "tools" - a song, dinner table questions, a new wishbone ritual.

A Wake for War is observation, exclamation, documentation and verification of the problem. Saving Grace is a ray of optimism about the solution. Please join us in saving grace so that the love of life will prevail over the will to kill.



Mark Brecke 415-543-1240
Annice Jacoby 415-648-6980
Lori B 415-643-7325



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